The next day May 24th it was a full day of press for Scarlett at Cannes Film Festival starting with The first event the Press Photocall with her cast mates Jason Schwartzman, Wes Anderson and Jake Ryan. She looked like a ray of sun shine with the dress she had one thats for sure. HQ photos from the event are in the galler.

After the main premier event Scarlett and Colin made a stop at the after part for Asteroid City. Scarlett put on a new green dress and looked like she was having a good time there. HQ photos from it are in the gallery.

Way way back in May 23rd Scarlett made her first big movie premier since 2019 for her only movie coming out this year Asteroid City and at the Cannes Film Festival. Scarlett was accompany by Colin and the rest of her cast members Tom Hanks, Rita Wilson, Damien Bonnard, Maya Hawke, Hope Davis, Director Wes Anderson,Jason Schwartzman, Bryan Cranston, Adrien Brody and Jeffrey Wright. She looked amazing wiht her hair down and the pink and white dress like a princess. over 900HQ photos from the event are up in the gallery from it.

Scarlett did a get ready with me for her big premier back in May. As always she was using and showing of The Outset and how good it made her skin look and did she not look just amazing for the event. You can watch the video below and full photos are in the gallery.

wmagazine – Scarlett Johansson is amassing a small but mighty collection of Victorian-era jewelry in her spare time. The actress buys pieces here and there each year, with the intention of bestowing the baubles upon her 8-year-old daughter once she’s “a young adult,” Johansson tells me over the phone from her home in Los Angeles. “My idea was to put them all in a jewelry box and eventually give it to her,” she adds. “Like, here’s a little start, you know?”

While Johansson has a personal passion for vintage jewelry, she’s also deeply interested in the styles of today having been named an ambassador for David Yurman last year. In addition to starring in the jeweler’s campaigns, the Black Widow star has partnered with the house for the second year in a row on a curated assortment of jewelry pieces benefitting the Lower Eastside Girls Club. Through June 30, shoppers can purchase the collection handpicked by Johansson, with proceeds going toward the Manhattan-based organization, which connects young New York women and gender-nonconforming youth of color with free year-round programming and mentoring. Below, Johansson discusses the latest collaboration, her family heirlooms, and her plans for Cannes–where her latest film, Wes Anderson’s Asteroid City, will premiere.

How did you decide which 12 styles would be featured in the charity shop?
Evan Yurman [president of David Yurman] and I talked about it a lot—how can we be most efficient with this? We wanted the pieces to be accessible so that many different people could participate. At first, it was like, let’s do only charms. But we figured that might be limiting. So we opened it up to some of the huggies, amulets, and a few little pieces that were more like everyday, layering jewelry. We thought it would be cute to have some personal choices: like, I put the Sagittarius symbol in there; I love the evil eye and wear it daily. Evan suggested the pinky ring because, obviously, that’s an iconic Yurman piece.

How does your approach to choosing jewelry you wear in your everyday, personal life differ from the jewelry you wear on the red carpet?
I wear jewelry every day. I’ve had a lot of piercings in my ear since I was a kid, so I typically wear comfortable, meaningful jewelry. Obviously, I wear my wedding band, my engagement ring, things my husband got me, little personal things. My daughter bought me a necklace on Mother’s Day last year. I cried!

But as for red carpet, that’s fantasy. For instance, we’re going to Cannes, and for that, I’ll go to Yurman. To be able to open their vault… [laughs]. They have so much jewelry, so many trays of incredible things. They make one-offs, too, with these amazing stones, because Evan is a huge collector. On the red carpet, I wear things you would not normally have access to. It’s like fairy-princess jewelry. When else are you ever gonna wear millions of dollars worth of insanely giant, gorgeous stones?

Speaking of Cannes, Asteroid City premieres at the film festival this year. What was it like, channeling Hollywood Golden Age actresses like Judy Garland to play your character, Midge Campbell?
She’s not necessarily [inspired directly by] Judy Garland—she looks a little bit like Judy Garland, but that was also the look of that particular time. I mean, I absolutely love Judy Garland. She inspired me as a kid to be an actor. I idolized her. So I’m excited the performance draws those comparisons.

There’s such a particular story for a famous actress that gets to the position that Midge has; she’s a very highly regarded star of stage and screen. She’s in the middle of an illustrious career, and she will die on the stage. I spent a lot of time with Wes trying to understand what sort of actor Midge Campbell was. We were like, who could we draw from? How does she sound? Where did she come from? We landed on a kind of Bette Davis type: how she was spirited, her confidence, she’s no-bullshit. She is theatrical in a delicious way, but she’s also vulnerable, and that’s one of her strengths. She’s this wonderful diva with a career we felt could mirror Bette Davis’s. And she sounds a little bit like Bette Davis, too.

If you were referencing Bette, you probably had a ton of material to study.
Yes, and a whole lifetime career. So that gave me something to grab onto in Wes’s crazy world.

Let’s talk about your personal jewelry collection. What’s your most prized piece?
I love my engagement ring. My husband chose it and he did a very good job. He really, really did. It was an unexpected choice from him.

But I’m assuming he chatted with your friends and family to get a sense of what you might like.
Luckily my best girlfriend, Sonia Boyajian, is an incredible jeweler. So props to Sonia—but I don’t want to peek at how the sausage was made. Although I’m sure there had to have been some convo there. If he didn’t ask her, that would be very bold, being that she’s my best friend and an incredible jewelry maker and designer.

WWD – MILAN — At Prada, leather goods are “a symbolic part of its history and future,” said the group’s chief executive officer Andrea Guerra last week, as the company reported that for the first time it generated quarterly sales of more than 1 billion euros.

“The brand is agile with drops and novelties but also a patient developer of iconic products that are paying off well,” said Guerra.

Case in point, the Galleria, first conceived in 2007, has become a successful carryover signature bag, and Prada is once again highlighting this design through a new impactful campaign fronted for the first time by Scarlett Johansson and art-directed by Venezuelan-American artist Alex Da Corte.

In an interview with WWD, Da Corte explained that Prada reached out to him while he was on a lecture tour in the U.S. talking about “the Glass Age,” and this triggered a desire to further investigate the topic.

“In 1918, a technique called the Bicheroux Process eliminated long-held limits on the size of a sheet of glass, and with its invention the Glass Age was born,” said Da Corte. “It has been a period in which we desire through glass, and glass has in turn reflected, illuminated, isolated, incubated and elevated the objects of our desire. Glass did this first in the window displays of the grand shopping arcades of Europe, and it does it now through the screens in our pockets. The object behind the glass grows in power.”

In a serendipitous turn of events, the arcade has a special meaning for Prada’s signature bag, sleek yet functional, named after the location of the brand’s storied flagship in Milan — the luxury shopping arcade Galleria Vittorio Emanuele II, where founder Mario Prada, Miuccia Prada’s grandfather, opened his shop in 1913.

Da Corte pulled images from the past 150 years, thinking about “the body and its reflection.”

A Tony and BAFTA award winner for “Lost in Translation,” and two-time Academy Award nominee for her roles in the drama “Marriage Story” and the satire “Jojo Rabbit,” Johansson’s skills in embodying different identities are channeled into the campaign as she is seen constantly transforming, with different hairstyles and looks.

“I’ve been an admirer of Alex’s work but never imagined I would ever have a chance to collaborate with him,” said Johansson. “Being able to work in a multimedia context with him, using the design elements of Prada’s collection to create characters that are part of a work on love and self-reflection was truly exhilarating. The environment that Alex created inspired by Prada’s color story and aesthetic was very much like performing inside of a piece of art. It was a singular experience I feel so proud to be a part of.”

Color, a fil rouge in Da Corte’s art, is a key element in the photos, drawing on Pop and Surrealism, on the set of windows, stairs, tables and mirrors, and in the bag itself, revisited by co-creative directors Miuccia Prada and Raf Simons.

The images reproduce the words: “Our love is reds and yellows and blues and greens, Our love is lavender and browns and golds and greys,” which are also spoken by Johansson in a short video.

Scalett was picked as the new face of Prade’s new Campaign The Glass Age modeling their Galleria Bags. We have photoshoots and a commercial from it and its very good concept. you can view the campaign here, watch the commercial below and find the photos in the gallery.

The Glass Age
Echoes and reflections – the glass of fashion. The Prada Galleria handbag, an eternal Prada icon, is celebrated alongside an icon of popular culture, the internationally acclaimed actor Scarlett Johansson, bathed in vivid, expressive color by Venezuelan-American artist Alex Da Corte.

A Tony and BAFTA award winner, and two-time Academy Award nominee, Johansson is globally recognized for the precision and passion of her craft – her innate ability to transform and embody multiple personae, different identities and ideals. In essence, she is herself a reflection, a refraction – interpreting and embodying another individual, bringing her own inherent qualities to her depiction.

Evolving an ongoing dialogue between Prada and fine artists to reconsider the relationship between Prada icons and iconic cultural figures, here, Johansson’s indelible image is reimagined by the conceptual artist. Da Corte’s works span a range of media – video, performance, installation, painting, sculpture – and this is his first work living in a fashion context. Drawing on Pop and Surrealism, on a tension between high and popular culture, his work creates fantastical, vividly-hued and all-encompassing artistic environs to explore the same notions of humanity Johansson brings to her work.

In the Galleria campaign, Johansson transforms constantly, framed and reframed by a sublimation of the everyday, translated into pure color. Color is innately synched to emotion, universally evocative of feelings. And, similarly recollective of collective experience and memories, there are shadows of poses, attitudes and situations we recognize – and, in turn, Johansson’s own global fame is reflected, enhanced and resonant in these images.

As this Hollywood icon is transformed and recontextualized through color, so is the Prada Galleria, its silhouette a canvas for an exploration of shades and patterns. Here, the Galleria itself serves as a unique mirror, of the transformed world that surrounds it.

Scarlett Johansson tries to identify her lines from films such as ‘Black Widow,’ ‘Lost in Translation,’ ‘Under the Skin’ and more. While she does, we find out she had a crush on Elijia Wood & what it’s like working with Wes Anderson, first with ‘Isle of Dogs’ and now for ‘Asteroid City.’

Variety Scarlett Johansson Opens Up About the Pain and Triumph of Disney Legal Battle Over ‘Black Widow’ and Wes Anderson’s ‘Liberating’ Cannes Film

F. Scott Fitzgerald famously described Daisy Buchanan, his “Great Gatsby” heroine, as having a voice that’s “full of money.”

Wes Anderson could say the same about Scarlett Johansson, his latest leading lady. The auteur has worked with enough A-list talent to fill a Met Gala — from Meryl Streep to George Clooney to Cate Blanchett — but he acknowledges that star power is somewhat of a mystery. With Johansson, who plays a luminous 1950s movie icon in his film “Asteroid City,” the director thinks he knows the secret: “Scarlett’s voice is so expressive and interesting. I would say it’s her greatest strength.”

As?she’s?become a bigger and bigger star, Johansson has grown more comfortable raising that voice when she feels?she’s?been screwed over. Case in point: She shocked the industry in July 2021 by stepping into the ring with Disney, the most powerful entity in Hollywood. The actress was quarantining in her Upper East Side apartment, days away from giving birth to Cosmo, her second child, when she filed an explosive lawsuit against the studio shortly after the release of its Marvel prequel “Black Widow.”

For the previous six months, Johansson’s team had worked behind the scenes to push the studio to make good on the millions of dollars in backend compensation she would forgo when it released “Black Widow” simultaneously on Disney+ and in theaters as the pandemic raged. The breach was clear-cut, given that her contract contained a stipulation that the “Avengers” spinoff be released exclusively in theaters. Adding insult to injury, Disney — then led by CEO Bob Chapek — bragged that “Black Widow” generated more than $60 million in Disney+ Premier Access global sales in a bid to juice its stock price.

In response to the suit, the studio took off the gloves and released a jaw-dropping statement that slammed Johansson for her “callous disregard for the horrific and prolonged global effects of the COVID-19 pandemic” and casually revealed her tightly guarded $20 million upfront salary. By all appearances, the studio had declared war on an actress who played Russian assassin Natasha Romanoff in eight of its Marvel tentpoles, starting with 2010’s “Iron Man 2,” and is a corporate super fan to boot, the kind who spent a recent Christmas with a group of 15 friends at Disney World.

Whowhatwear – The past couple of years have seen an unprecedented number of celeb-founded beauty brands. But when it comes to one that has as much efficacy in its products as much as it has star power, nobody is doing it like The Outset. The clean skincare brand co-founded by Scarlett Johansson and Kate Foster is innovative and approachable and uses gentle, skin-nourishing ingredients powered by plants. (The brand’s cornerstone ingredient is the Hyaluroset Complex, a botanical alternative to hyaluronic acid that’s made from cassia seeds.)

We caught up with Johansson and Foster to talk about their journey as founders over the past year, skin changes after 40, thoughts on Botox and fillers, and more. Keep scrolling!

It’s been a little over a year since The Outset launched in March of 2022. What are some of the biggest things that you’ve learned since becoming a skincare founder?
Scarlett Johansson: It’s been a great first year since launch. I’ve been the face of campaigns in the past, but now, I feel like I’m truly part of this beauty community, and the feedback and support we’re getting—from our social followers to the beauty influencers all the way to the consumers—is so validating. We really feel like we’re on to something here with our gentle skin movement. I’m learning how truly powerful this concept of “community” can be.
Kate Foster: The development process is arduous, especially when you have very defined, clean standards like we do. Around our launch, we were going to have a lip product that was very cool and very innovative, but we scrapped it days before. Scarlett is known for her lips, and there is a lot of equity there. But we wanted every single product to perform like a hero, where we can confidently stand by it and say, “We put our all into this.” So we’ve been working on a new product, and I think this version is even better than the original one. It’s just one of those things where you have to let the journey guide you, and you’re going to end up in the right place.

Also, SPF development is a beast, and that piece is really important for us. But in order to make a mineral SPF that’s clean, that’s going to work on all skin tones, that isn’t going to pill underneath your makeup, and is fragrance-free and not smelling like garbage—we have very high standards, so it takes time. That’s something that’s in the works as well.

Scarlett, you’re approaching 40, and Kate, you’re in your 40s like me. Have you noticed your skin change in the past few years like I have?
SJ: My skin has definitely changed over the years! As time has gone on, I realized that the more I tried to “correct” my skincare issues, the worse it made my skin, so my routine has really become all about consistency and using products that are gentle and super hydrating. I truly believe that hydration is key when it comes to good skin, and honestly, my skin has never felt better.
KF: When I started to have kids, I was feeling tired and older and did a lot of retinol creams and harsh actives, but my face was really red like a tomato. So I connected with Scarlett on that, and as we started to work on The Outset and began eliminating those harsh ingredients and focusing on nourishment, my skin has never been better. I think I probably didn’t appreciate the power of moisture enough before and didn’t realize that what I was doing was really unkind to my skin.

Marieclaire – The Outset founder on minimal makeup, her obsession with Pilates, and why she believes taking naps is the key to longevity. Welcome to Beauty Around the Clock, Marie Claire’s weekly peek into the daily lives of some of the most game-changing women in their industries. Ever wonder how they get it all done in a day? Here’s your answer.

Minimalist makeup is in, and if there’s one woman who swears by that trend it’s Scarlett Johansson. You may see her on the red carpet looking glamorous with a bold eye or lip, but in her free time, the box office juggernaut looks polished and natural, with as little makeup as possible.

“I’m so minimal and clean,” says the Marriage Story actress. “I’m never glammed up. If I’m going out to meet friends or something, or going on a date with my husband, then I’ll put on makeup, but I don’t typically wear a lot.” Johansson practices what she preaches, and this was made evident when she launched skincare brand, The Outset on the belief that clean and effective skincare should be radically simplistic. As one of the highest-paid actresses in Hollywood celebrates the one-year anniversary of her beauty brand, there’s one thing she wishes women would embrace: skincare should be as effortless as slipping on your favorite white tee.

To find out her go-to products and understand how the busy mother of two always looks polished, read ahead.

Rise & Shine
I usually wake up at 6:30 a.m. I have an eight year-old daughter and she has to get on the bus by 7:18 a.m or I’m on the train taking her to school. She loves taking the bus and it’s great for her, but it’s very early. I treasure those times because it’s meaningful for her, and it’s quality time we get to spend together even though it’s only, whatever, 35 minutes in the morning. It’s our little thing and we both laugh about how we have to book it to the bus. We just get in the elevator, it’s like, ‘Are you ready? Me too. Let’s go.’

For breakfast I drink a glass of water. And then when I get back from the bus I’ll usually have a coffee. And then, I sometimes don’t eat breakfast. It just depends on how I feel. Sometimes I’ll have a piece of toast. The baby is usually awake around 8:30 a.m, so he eats everything. Sometimes I make him oatmeal. He likes yogurt, too. Then, I head to the gym.

Morning Maintenance
When I wake up in the morning I wash my face and apply The Outset firming serum. My skin is addicted to it. I was talking to our co-founder Kate Foster about it and was like, ‘Did we put some kind of ingredient in there that makes your skin feel bad when you don’t use it?’ Afterwards, I usually apply the day cream, or if it’s really cold and dry, I’ll use night cream.

Deadline – Paramount Animation, Hasbro and eOne are teaming on the upcoming animated Transformers movie, now titled Transformers One. Directed by Josh Cooley and executive produced by Steven Spielberg, the origins story’s key voice cast includes Chris Hemsworth, Brian Tyree Henry, Scarlett Johansson, Keegan-Michael Key, Jon Hamm and Laurence Fishburne. Release is scheduled for July 19, 2024.

The film will tell the story of how a young Optimus Prime (Hemsworth) and Megatron (Henry) went from being brothers-in-arms to sworn enemies. Johansson is voicing Elita, Key will be Bumblebee, Hamm is Sentinel Prime and Fishburne portrays Alpha Trion.

Ramsey Naito, President, Paramount Animation and Nickelodeon Animation, made the announcement Thursday during Paramount’s slate presentation at CinemaCon. She said, “I’m so excited and proud to be working with Hasbro and eOne to bring the first animated Transformers movie to theaters for a never-before-told story. I’m honored to have such incredible talents come together to portray these well-known and much-loved characters in an origin story at the heart of the franchise.”

Andrew Barrer and Gabriel Ferrari wrote the script. Producers are Lorenzo di Bonaventura, Tom DeSanto, Don Murphy, Michael Bay, Mark Vahradian and Aaron Dem. Along with Spielberg, exec producers are Brian Goldner, Brian Oliver, Bradley J. Fischer and Valerii An.