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Welcome to Scarlett Johansson Fan, your online resource dedicated to the two time Oscar Nominated actress Scarlett Johansson. You may know Scarlett from her Oscar nominated roles in "JoJo Rabbit", "Marriage Story" and her 10 years as Natasha Romanoff / Black Widow in the "Marvel Cinematic Universe" and her own movie coming out in May "Black Widow". It is our aim to bring you all the latest news, photos, information and much more on Scarlett's career. We hope you enjoy your stay!

July 11, 2021  Comments are off Black Widow

Variety – Costume designer Jany Temime says working on Marvel’s “Black Widow” was a dream job. She doesn’t know the exact number of costumes she created, but it was “a lot.”

The costume designer who counts “Judy,” “Skyfall” and three of the Harry Potter films including “Harry Potter and the Deathly Hallows Part I and II” among her credits, turned to the Russian and Norwegian armies and the circus for “Black Widow” for design inspirations as new characters such as Yelena (Florence Pugh) and the Red Guardian (David Harbour) are introduced.

Temime also inherited Scarlett Johansson in the title role, whose costume that had already been established. This time around, she made a few tweaks to allow for comfort, sculpting it to suit a woman’s body.

Here, she breaks down designing those looks. On Inheriting the Black Widow Outfit and the Marvel Comic Universe

With the Black Widow costume, I changed a few things and adapted it to Scarlett and her body. When you get the design, you have a computer reality and you have the reality of a woman’s body, and you have to put those two things together.

To make it comfortable, we had the base of the costume made from rubbery fabric. I also added in a design graphic to stop it from looking flat, and that was printed out.

Between the seams, we allowed two to three millimeters of elastic fabric to give some room and stretch because I didn’t want her to feel like she was in something tight. I was so happy to hear Scarlett say that it was the most comfortable outfit.

The way we cut it too was glamorous, we cut the waist a little higher because you have to model the suit to the body to flatter it.

I also designed the young widow outfits which they gave me carte blanche with, and again, they were enthusiastic about it. It was such a collaboration and so dreamy. I also understood what [director] Cate Shortland wanted and her vision, especially for that opening sequence.

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